John Piper

Baths of Caracalla, (Rome)

1961

Judith Brenner Sophie Dancing 1 Original Figurative Drawing Acrylic Paint, Pan Pastel, Ink and Watercolour Pencil on Paper Sheet Size: 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Sophie Dancing 1 is an original nude drawing by Judith Brenner.The figure is continuously moving and the final work is a composition made in an attempt to capture the rhythm of the dance. This abstract-impressionistic work is evocative of Francis Bacon’s style...

Gloria Dudfield (1922-2015) Untitled c.1960s Mixed media: gouache, pastel and encaustic on newsprint 12"x19.5" paper cut unevenly, unframed Unsigned Gloria (Fischer) Dudfield July 1...

Jack Hooper "Apples in Blue Bowl" 10-1990 Pastel and gouache on paper 22.25"x15.5" unframed Signed and dated in pencil lower right Jack Hooper, a prominent figure in the Southern Ca...

Jack Hooper "Pear Still Life on Green" 10-1990 Pastel and gouache on paper 17.75"x15.5" unframed Signed and dated in pencil lower right In this artwork, Jack Hooper presents a simpl...

Provenance: Corporate Art Collection Nell Blaine, painter of still lifes and landscapes in brilliant colors, created abstract work that gives the appearance of being done in a carefree, totally lighthearted manner but in fact is the result of years of disciplined study. It is also an effect achieved after rehabilitation from polio, which nearly took her life. Suffering a paralyzed right hand, she taught herself to paint with her left hand, and she devoted much time to applying colors, some times as many as fifty varieties. She attributed her fascination with color with its discovery when she was two years old and corrective eye surgery allowed her to see color for the first time. Blaine was raised in the Richmond, Virginia, where she grew to hate the prevalent racial discrimination and left home at an early age. In high school, she was skilled enough to begin selling her artwork, which was mostly posters and portraits. She attended the Richmond School of Art, now Virginia Commonwealth University, between 1939 and 1942 but left its classical realist curriculum when one of the instructors introduced her to modern art. She used money she had earned from commercial art and went to New York and studied with Hans Hofmann, teacher of Abstract Expressionism. Shortly after, she married a jazz musician and immersed herself in the world of jazz, beating drums and improvising expressive dances, and associating with Charlie Parker, Dizzie Gillespie, and Beat Generation writer Jack Kerouac. Her paintings of that time reflect her strong developing sense of relationship between jazz and abstract art. In 1944 at age twenty two, she became the youngest member of the American Abstract Artists and exhibited hard-edged geometric paintings, mostly black and white with accents of bright colors. She joined a cooperative of abstract artists and worked so hard at organizing shows that some referred to it as the Blaine Street Gallery. She was a strong personality who had special influence on Larry Rivers and Jane Freilicher and appeared to thrive in the New York art scene of the 1940s. However, she decided that her lifestyle was unhealthy, and she left the city, had a period of seclusion, and then went to France where she admired the work of Gustave Courbet, Jean Antoine Watteau, Eugene Delacroix, and Nicholas Poussin and took up figurative art in an abstract style. She became known as a "painterly realist," and added landscapes and interiors to her subject matter. She earned fellowships to Yaddo and the MacDowell Colony and began spending at least half the year in Gloucester, Massachusetts. She also traveled in Mexico. In 1959 on the island of Mykonos, Greece, she had polio. Her New York art friends in an exhibition of seventy-one artists raised money for extensive treatment at Mount Sinai Hospital. After recovery, she settled in a studio on Riverside Drive, spent her summers in Gloucester, and painted from her wheelchair. She died in 1996. Source: Charlotte Streifer Rubinstein, American Women Artists Biography from Hess Fine Art & Auctions Nell Blaine is sometimes called a "painterly realist. This term belies her beginnings in abstract expressionism. She studied with Hans Hofmann in the mid-1940s and was fascinated by the geometric painting of Mondrian. By the late 1950s she turned towards representation. This change was reinforced when she met the French painter Jean Helion. He too had returned to representation. There is French flavor to Blaine's work in the Fauve-like use of pure color. Her typical subject matter is still life, landscapes and gardens. In some of her still life Matisse is brought to mind, but her style could not be mistaken for French. It has the unmistakable free brushstroke of the action painters, imbued with awe for the beauty of nature. Her preference is the use of pure color, cobalt violet being her favorite, and she reportedly said she "enjoy(s) color more than words". She respects the traditions of composition and structure, and is influenced by French Impressionism in terms of light and subject matter. Nell Blaine, painter of still lifes and landscapes in brilliant colors, created abstract work that not only is the result of years of disciplined study but was achieved after rehabilitation from polio. She taught herself to paint with her left hand because she suffered a paralyzed right hand. She devoted much time to applying colors, some times as many as fifty varieties. She attributed her fascination with color with its discovery to corrective eye surgery she had when she was two years old. This operation allowed her to see color for the first time. Nell Blaine was raised in Richmond, Virginia. In high school, she was skilled enough to begin selling her artwork, which consisted mostly of posters and portraits. She attended the Richmond School of Art, now Virginia Commonwealth University, between 1939 and 1942 but left when introduced to modern art. She used money she had earned and went to New York and studied with Hans Hofmann. Six months after she arrived in New York, Blaine married Bill Bass...

Magdalena Morey – “Interlude 2” (2017) This is the second painting in the “Interlude” series. As with the first painting in the series, I wanted to capture the incredible sense of e...